Review

New Music Festival 2000
Chomsky, Drowning Pool, Baboon,Slick 57 and Jibe
Deep Ellum
11.10.00

 

 
The New Music Festival came to a close Saturday nightand once again, many  braved the crappy weather to go out and seesome of Dallas' rising musicians. Included in the line-up was East Dallasrockabilly band Slick 57.  This band  has only been togetherfor little over a year, but is already making it's way  across theMetroplex and other Texas cities appealing to rockabilly enthusiasts andmusic lovers alike.  If you're not familiar with  rockabillyor psychobilly, Slick 57 is a great way to get introduced to it.  With CD titles like "Lo-Fi Lorainne and Her Bag of Tricks" and their newest one, "It's a Drunk Life," you can immediately see the humor this preppy looking, Wild Turkey slugging, Bud Lite drinking musical comedians project.  

When the crowd wasn't doing the hoe-down chicken dance,they were cracking up  at the hilarious comments being thrown outby Ward Richmond (upright bass)  and John Pedigo (frontman/guitar/vocals). Hank Hancock (drums) is not as  vocal as the other two, but his skinnyCowboy hat, boots and denim add to the  hillbilly entertainment. Thoughmost of the lyrics are a combination of  white-trash humor and fraternitystyle chants, they're serious about what  they do and interact withthe crowd as if they were born to perform.  Between 
Ward throwing his large bass around like a violin andJohn cranking out  chords on his guitar, this group packs more staminathan a toddler let loose  in a toy store. 

They're music has a bouncy and buoyant beat with side-splitting lyrics that get you stomping your feet and shaking yourhips.  Slick 57 played an enjoyable set of original songs with improvisation including a "cheer" from another Texas rockabilly band, Flametrick Subs.John has an alluring, yet twangy voice that goes well with Ward's vigorousbass  playing and Hank's steady drums.  They were doing so wellin fact, that the  festival organizers asked them to keep going, turningtheir originally  scheduled time of 40 minutes into almost two hours. Their CD does not do  them justice, as this is a band you have tosee in person in order to get the  full-effect.  They finallyput up a full-blown web site, so take a look at  www.slick57.com andfind out when they're playing next.  Whether you're a  rockabillyfan or not, you'll definitely enjoy their show.
Ending the night and the festival was alternative rockband, Jibe.  This band  who consists of Joe Grah (vocals), CoreyTatro (bass), Ben Jeffries (drums)  and Toby Bittenbender (guitar)started in 1994 and has been rocking Dallas  and numerous (other)cities every since.  They've been fortunate enough to  play over500 shows and have shared the stage with bands such as the Nixons, Course of Empire, Suicidal Tendencies, Toadies, Fastball and too many moreto name.  They've also received radio play from 97.1 The Eagle andother radio  stations throughout the country and recently releasedtheir latest CD, In My  Head.
TheirDallas fame was evident, as Clearview was more crowded than  usualwith even more people waiting in line outside.  With everything they've been working on lately, it's mind-blowing to see how much exuberance they still have left when it comes to performing.  Their shows are knownfor being  unruly and outrageous and Saturday night was no exception.Farmclub got more  than they bargained for when they came out to filmthis concert.  Before Jibe  made it halfway into their set, thetestosterone and adrenaline driven mosh  pit turned into an all outbrawl.  Though Jibe is accustomed to chaotic  crowds, frontmanJoe Grah made it clear that he would not put up with  fighting. In the middle of a song, he began cursing out the immature  jackasseswho started the scuffle, demanding they break it up.  When his demands weren't met, he told the band to stop (playing) and jumped downto  handle it himself.  In the midst of all the madness, he slicedopen his bare  foot on a broken beer bottle, but that didn't stophim from finishing a  fantastic set.  The perpetrators were draggedout, (literally) and the show  went on.  
It was apparent that Joe's striking looks and charmingsmile  appealed to his female fans, while his entrancing voice andoverall stage  presence captivated both male and female fans alike. He intermingles with  the crowd and the other band members thrashingabout the stage making for an  aesthetic show.  Jibe's poundingdrums, echoing vocals, and raucous guitars  come together to createan invigorating and intense performance. They  completed their setwith a tune by one of their influences, Jane's Addiction,  endingthe night with fans screaming for more.  For those who couldn't make it out to see them, you can catch them at one of their next shows listedon  their site, www.jibeonline.com.

to read about Chomsky, Drowning Pool and Baboon, clickhere 

- MelissaHowell
dallasmusic.com

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